Production Log 15

This week me and my partner have added our footage together onto the IMAC, we then put the clips  in the correct order to see if the film flows and has a sense of continuity. 
My partner and I wanted to see if there was any parts of our film which was missing or needed re-filming as we wanted to get all the filming out the way luckily we had all the footage we needed and are now ready to add in the graphics and the music in the upcoming lessons. We have decided to add the graphics in before we add the music as this is a more accurate and easier way to edit our footage. 

Production Log 13 & 14

Throughout the 2 week holiday my partner and I have planned to film our opening sequence of the BSR film 'Fake Identity', we choose days which we thought the weather would look dull and unappealing as it was raining. We choose these certain days because the rain represents the real and stereotypical way British weather is shown, we thought the weather we choose also represented the life of our main character Ayesha as her life is also shown to be quite miserable because she is a prostitute. The second day we filmed, it was indoors which is suppose to be Ayesha's house, we made the location look very untidy and look like they are suffering from poverty, we did this by throwing clothes on the floor and leaving boxes on the sides. We filmed indoors to shoot the scene where Faiza plays the role of Ayesha's mother praying and this scene was key to represent the religious side of the whole film, we added small details in this scene such as the religious writing on the walls and the prayer matt to present the Islamic religion. 

Religious writing on the walls 

Prayer matt

Production log 12

This week my partner and I have looked at the types of graphics style we would like to include in our opening sequence, the opening sequence will feature all the job roles such as directors, actors and producers names. We wanted our typography to look quite simple but also attractive, we did not want our graphics to take the attention away from our sequence playing in the background so therefor we choose the graphics to be a medium size and super imposed. The color of our graphics is also very subtle however it stands out. We kept to the gritty style of BSR by making our typography look quite gritty and edgy.  
When viewing other BSR films I have realized that the graphics are also very plain and basic in them for example in adulthood and trainspotting we can clearly see its not a very exaggerated or eye-catching.